It is estimated that up to 60-70% of audio distortions come from excessive bass and reflections within your listening room. The other 30-40% of distortions are from unwanted resonances within the equipment or from acoustic feedback. Reducing either of these distortions by at least half will result in a much better sound.
Having tried many products over the years, we know that those illustrated below work. Many other products are on the market but are not all equal in their effect on sound. All will make a difference to the sound but some can make a bad difference. This is because many panel applications absorb the frequencies, not the excess energy created in a room, and mostly the high and mid range frequencies. Most room problems occur from too much bass energy and theses alternative approaches do not attend to the lower frequencies. The result is often one of over-damping and a skewed room frequency response.
It is now accepted that approximately 60-70% of an audio system’s distortions are as a result of excessive bass energy and reflections within your listening room. Therefore treating the room acoustic problems can be a very cost effective upgrade path, often costing less than upgrading electronics or speakers.
Most rooms suffer from too much bass energy which concentrates in corners and nodal points. When this is excessive, it reduces transparency right across the frequency bandwidth and causes smearing of the imaging. Removing or reducing this excess bass energy results in more tuneful, controlled bass frequencies, rhythm and timing is more correct.
In addition to bass energy problems, there are the more obvious first and second reflection points. Reflections from these parts of the room causes smearing of the imaging and reduces the perception of the sound stage. The tonal balance tends to become brighter. Treating these reflection points will improve transparency revealing finer details, better focus of imaging within a larger soundstage, Vocals and solo instruments have better articulation.
This Italian manufacturer makes cylindrical pieces called Diffusion Absorption Acoustic Devices, DAAD. As the acronym suggests, these room tuning products offer a unique combination of absorption and diffusion capabilities. Their principal function is to absorb and remove excessive levels of bass energy. Not the removal of certain frequencies that other devices do which can skew the tonal balance without dealing with the main problem.
They are also extremely effective when placed at first reflection points in a room ameliorating poor acoustics. Uniquely, there is also a lobe that diffuses some of the sound, reflecting some higher and mid-band frequency energy back into the room. When placed at strategic reflection points in rooms, the angle of this diffusion side can ‘shape’ the sound stage and the focus the imaging to taste.
Using DAADs avoids a common problem with many alternative approaches to room acoustics control, that of over damping. Most traditional acoustic treatment devices, usually panels fixed to the wall in a haphazard fashion tend to absorb the medium and high frequencies without any effective reduction of the lower frequencies. This tends to skew the frequency response without dealing with sound pressure build up.
With these systems, usually reliant on foam, multifibre, or fabric based treatments, the tendency is to just absorb the highs and mids most without much consideration for the real problem, excess bass energy. This results in over-damping, loss of speed and dynamics – so the sound all ends up a bit “dull”. The reason the DAADs work better is that they tackle sound pressure issues rather removing frequencies, therefore they do not over damp.DAADs do not over damp; they are broadband absorbers operating well down into the bass frequencies ranges where most rooms have problems. Instead they produce a larger soundstage within which it easy to discern the spatial details and clues required to create a truly holographic experience. They also improve tonal balance resulting in much less bright or forward presentations giving a more natural sound, without loss of dynamics or rhythmic qualities.
They are also very light. Hence they can be placed in position for critical listening sessions and removed when not required. If you move house – or change rooms – they go with you and never become redundant.
DAADs are all in place and are set up as you suggested, and to say I am pleased would be an understatement. Probably one of the best purchases I have made, and one which I should have done years ago if I had known or realised how important room acoustics are. Anyone serious about their HiFi system, must use room treatments such as DAADs to hear the true potential of what they have.
Mr Stephen Fice, south Wales
We were impressed before we got them for home demonstration – their effect is easy to spot in almost any environment – but it’s in the listening room you know best where the real force of the argument is driven home.
Alan Sircom, Hi-Fi+
There is now a Mark II version of the DAAD. This is due to a change of materials used just inside the outer circumference which has improved the performance by approximately 15%. The appearance of the the DAADs remains the same.
The DAAD MK II has a new innovative material developed for other high technology industries such aerospace and electro-medical. The structure of this material has a layered section, the density of which varies from one surface to the opposite surface. The characteristic of this progressive structure fits perfectly with the requirements of a wide-band acoustic trap. Using this new material, the sound pressure wave enters into DAAD volume much more easily, but is released out of DAAD more slowly. Because the sound pressure is absorbed much more quickly, and held onto for longer, the Mark II version is more efficient.
Listening tests with DAAD Mark II have substantiated the claim. The immediate effect is one of more air and space around instruments and voices. The improved reaction speed of the acoustic treatment to the music pressure pulsation, results in increased dynamics, more accurate phase response, richer low frequencies and articulation. The increased transparency and the "blacker" background allows low level details to be more easily perceived, especially at lower volumes.
DAAD 2 MkII 110cm x 20cm; efficient from 120 Hz up to 20 KHz £370 each
DAAD 3 MkII 110cm x 28cm; efficient from 70 Hz up to 20 KHz £500 each
DAAD 4 MkII 110cm x 40cm; efficient from 50 Hz up to 20 KHz £650 each
EcoDAAD for ceilings and/or wall applications £155.00
Studio DAAD: a DAAD 2 on a telescopic stand adjustable from 23cm to 110cm from the floor. To order only. £525 each
Available in white and black.
Discounts available for orders of 6 pieces or more. 2 EcoDAADs count as 1 piece.
Polifemo (1.85m high with ‘iris’) £3500
A first stage room treatment plan can be achieved from £2650-3150. For a very marked effect on sound, using 8-10 pieces, the investment will be approximately £4800-6990, dependent on the size of DAADs selected. This more balanced sound, with a larger soundstage and better articulation is more noticeable, and more cost effective, than investing the same, or more, in new electronics, loudspeakers or expensive cables. And the investment stays with you forever.
To evaluate these products we can offer a short demonstration in our studio facilities to hear their effect on room acoustics. Customers can then borrow a small number of DAADs to try in their own home. Usually we recommend 5-6 pieces are used for this purpose. Alternatively a home visit can be organised and we would demonstrate and advise on their correct placement in your room. A fee for such home visits would apply, covering both consultancy time and travelling expenses. Should an order result, the consultancy element of the fee would be fully redeemable against the purchase. Please phone or email for full details.
Generally the first place to treat is the corners of the listening room behind the loudspeakers. There are three types of DAAD; all are 1.1m tall and each type has a different diameter which absorbs across a wide range down to different low frequency points.
It is recommended to have a column of two pieces in each corner. In most of the UK rooms we have found that a DAAD 3 on top of a DAAD 4 in each corner that produces the best results. In the case of small rooms, stand mount monitor type loudspeakers, or electrostatics where high levels of bass energy are not being produced, a column of two DAAD 3s is usually sufficient.
The DAADs in the corners behind the loudspeakers can be rotated whilst listening carefully with a favourite recording, to give the best focus of imaging, the type of soundstage presentation and energy levels desired.
The next stage, if this is possible, is to place a column of DAAD No.3s in the centre of the wall behind the loudspeakers. The effect on ’cleaning up’ the sound-stage is very obvious and very powerful.
Then the first reflection points are treated on the wall behind the speaker and/or the lateral walls. This can be done with either the economical EcoDAAD or, for better results, the smallest of the DAADs – No.2 size.
The last stage is to treat the corners behind the listening postion usually with a column of DAADs.
The EcoDAAD product is a half round absorber. It is designed to be placed at first reflection points on side walls, front and rear walls or on ceilings. They are very light and can be hung with a small nail and removed when critical listening is not taking place. They are very cost effective and less obtrusive than using a DAAD 2 for this purpose. They have a very powerful effect on the depth of stage and the focus of image. A DAAD 2 would be the optimal suggestion for first reflection points but the EcoDAAD offers a less expensive alternative for this application.
Acustica Applicata has developed a new variable resonator product called the Volcano. It is based on the principle of the successful Polifemo, the narrow band Helmholz resonator, but without the iris. The Volcano is shorter than the Polifemo, about the size of a DAAD 4, and can be applied to a variety of room positions where specific bass energy concentrates. But the principal application is between the loudspeakers, in the same plane, or just behind them. This position is where complex energy turbulences occur and the Volcano is the first acoustic device ever designed specifically to treat this area.
Additional positions for excellent results are on the boundary walls to the sides of the loudspeakers, or on the wall behind the loudspeakers. See photos on right. They are designed to be used in addition to, rather than replace, DAADs, but substitutions can be made with some small compromises in performance.
When used in the recommended position between speakers, the effect on the sound is nothing less than spectacular. The biggest effect of placing a Volcano here is on the soundstage, and this is extremely evident even after just a few minutes listening. Everything is more holographic, and focus of images within the 3-dimensional stage is more precise. Transparency is increased allowing low level detail to be more easily perceived. True fine detail comes through, such as a singer or instrumentalist moving around the microphone. It is more like a person standing there rather than just a voice or saxophone. Tonal balance is more natural and dynamics improved. The overall impression is more like being at a live event.
The reason for this big improvement is sound is due to the large amount of energy turbulence created by the speakers projecting sound in all directions, not just forwards. Just imagine dropping two spheres into a rectangular swimming pool where your speakers are positioned. The waves emanating from this disturbance flow outwards at 360 degrees, and crash into one another creating turbulences. Further turbulences are caused by the waves hitting the sides and reflected back into the pool. A very complex situation of turbulences quickly builds up. And this is one simple wave pattern. Music in a room is much more complex, and multiple frequencies are involved, so energy peaks build up, cancellations occur. It very quickly become extremely chaotic. A more detailed explanation is presented in the link below.
Acustica Applicata are the first room acoustics company to appreciate and understand this energy turbulence problem between loudspeakers. The Volcano is the first product in the world designed specifically to deal with this problem. And deal with it effectively and simply.
A recent trial with one of our customers produced this appraisal from him:
I have to say that this device has made the biggest difference to my system of any I have tried to date, whether cables, valves, plugs, even the DAAD’s themselves. The improvement it brings about is profound and transformative. This has to be the best value improvement it is possible to make to any high level system. Absolutely incredible. Thank you for the opportunity to audition – and to buy - itDM Oxfordshire
For those that do not want to use DAADs for aesthetic reasons, the Volcano can be used in corners to good effect. Similarly the Volcano can also be used on the centre of the wall behind the speakers. By doing so, a Volcano can save the requirement for 2, or even 4, DAADs in such applications, with some compromises.
The Volcano has a fixed port in the top, and a further port in the bottom that is height adjustable to tune it to the bass frequency to be addressed. Inside is a paddle that can be adjusted in angle to improve and tune the higher frequencies.
The standard Volcano comes in two parts that are fitted together easily. No fixing or gluing is required. Where excess bass energy problems are encountered, especially at lower frequencies, an additional centre piece can be purchased and fitted to increase the height from 102 cm to 144.5 cm. This centre section (42.5 cm high) can be added at the time of purchase, or retro-fitted easily at a later stage.
Standard Volcano: height 105 cm (40"), diameter 40 cm (15"). Effective from 38 Hz. £1075
Standard Volcano finished in matt Anthracite or White. £1395
Additional Centre Module: height 42.5 cm (16.7"), diameter 40 cm (15"). Effective from 25 Hz £405
Additional Centre Module finished in matt Anthracite or White £530
Coming soon the new Halifax. Similar to the Volcano but shorter at 88 cm high and 42 cm diameter. Effective from 28 Hz. Standard finish matt Anthracite.
AVAA stands for Active Velocity Acoustic Absorber. This active device is designed to absorb standing room modes between 15 and 120 Hz. The AVAA absorbs low frequencies in a similar way to a passive bass trap but in a more efficient way. It offers a specific acoustic resistance to reflections from walls and transforms the acoustic pressure build up into velocity and absorbs it.
By reducing room nodes up to 120 Hz, timing and spatial dimensions are greatly improved. Reducing reverberation time, the speed and timing of the music is improved. Less indirect sound in the room means the imaging is more precise. With a precise and tighter bass there is less smearing from unwanted bass energy to the high frequencies hence fine detail is more easily perceived.
Being an active device, it offers a much smaller footprint compared to bass traps 5 to 20 times its size, depending on the frequency and the specific room characteristics. The AVAA is 100% analogue and is totally independent of the sound system. In most listening rooms of average dimension between 2 and 4 AVAA devices are normally required.